Pedagogies (Dis)obedient
art education, resistance, and human rights inschool
DOI:
https://doi.org/10.5335/rep.v32.17721Keywords:
teaching practice, autoethnography, intersectionality, critical education, LGBTQIA+Abstract
This article reports on the “Dandaras” pedagogical project, developed in 2015–2016 at a public school in Minas Gerais, Brazil, which integrated art education, human rights, and critical practices to address racism, sexism, and LGBTQIA+phobia through an intersectional approach. Drawing on methods inspired by Brecht and Boal, the article describes workshops, interventions, and artistic productions that fostered awareness, dialogue, and changes in attitudes among students, teachers, and the community. The autoethnographic account analyzes institutional challenges, resistance strategies, and pedagogical counterattacks, highlights advances in literacy regarding gender, race, and sexuality, and advocates for art, critical education, and intersectionality as resources with the potential to promote affective alliances within a human rights culture in schools.
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