Aesthetic-Critical Environmental Education at the III Science & Art Olympiad
approaching the climate crisis through artistic languages
DOI:
https://doi.org/10.5335/rep.v32.17658Keywords:
Critical Environmental Education, science Olympiads, Art and Science, transdisciplinarity, artivismAbstract
This article analyzes the convergence between Science and Art in the Category III exam of the III Science and Art Olympiad (OCA), promoted by the Cecierj Foundation in 2025. The objective is to verify how this integration fosters an aesthetic-critical approach to climate change, grounded in the perspective of Critical Environmental Education (CEE). The analysis focuses on the narrative structure of the exam, which covers historical milestones, such as the Industrial Revolution, and contemporary tensions, such as environmental racism and socio-environmental injustice. The results demonstrate that the exam articulates reflection on political responsibility and the role of Art as denunciation, resistance, and proposition of futures. It concludes that the OCA is a powerful pedagogical initiative for the politicization of the environmental debate, contributing to awareness and the formation of citizens engaged with current socio-environmental transformations.
Downloads
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
